Mon, January 9, 2017
The first act is laden with a few vestigial late-80s comedy tropes, but once it hits its rhythm it's engaging, suspenseful fun, and surprisingly well constructed. Tomei is brilliant, and the film—which is really a relationship story—owes everything to her, especially its rousing conclusion. (Also, I'm no huge fan of Travis Tritt, but more movies should have custom end credits songs!)
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